If you like music a great deal, you might be hoping of going into some area of the music industry yourself. Undoubtedly, you will have been told that this is notoriously hard and I am not trying to insinuate that it is not, but perhaps most people who are trying to get into the music industry are going for the same jobs.
The list of jobs accessible in the music industry must include teachers, songwriters, doctors, therapists and many others, not only singers and musicians, so it pays to think laterally if you want to go in this direction, because traffic on the foremost highway is usually at a stand-still. Anyway, here is a list of other jobs in the music industry and I hope that it is of some benefit to you.
There are jobs with music and record firms for staff song-writers, that is, for people who compose songs for the artists who are contracted to that label. Find a couple of artists that you respect working for the same label, compose some songs for them and apply.
If you cannot find a solitary label that suits you, you could do the same job as a freelance song-writer. This way you are not restricted and can compose for all the artists that you like.
If you are clever with words but not such a great musician, you could become a lyricist. A lyricist may or might not team up with a musician to create a song. Like Gilbert & Sullivan or Rogers & Hammerstein.
Jingle-writers are always in demand, at least decent ones are. Jingles need to be short but catchy. Writing jingles pays good money, but it will perhaps not make you famous outside the music industry.
A music publisher searches the market for freelance songs and buys up the copyright or license to publish those songs or to sell or license them to singers and musicians.
A music editor might work with a composer or song-writer to make sure that the timing and the cues for the musicians and singers are feasible.
Notesetters have to have a decent ear for music as their job is to write down in musical form what untrained musicians play to them. There are many, many modern musicians who cannot write a note of music but who can produce very popular songs. These songs have to be written down by someone and that someone is a notesetter.
A talent scout in the music industry is known by the official title of Artist & Repertoire Co-ordinator or A&R Co-ordinator for short. A step up from this position is the A&R Administrator, who co-ordinates the co-ordinators and sets and monitors their budgets - a sort of a musical accountant.
Then there are the jobs in public relations. These people normally work for record labels. They promote the artists who have signed onto a record company's label. There are quite a few levels of responsibility in this section.
An agent or an relations representative, is aperson who promotes his client and finds him or her work. They check the contracts and give business advice. They are well-|known as 'Mr. Ten Percent' although in practice it is normally double this unless you are famous.
Campus representatives promote records to students and promotional staffers promote wherever possible - radio stations, shops, musical directors.
Music teachers teach music to groups from pre-school through to college level. Their responsibilities differ with the age of the student and the point of the class.
A music director has the job of supervising policy in school or college or setting the entertainment for a cruise or a holiday camp, hotel or holiday complex.
Then there are organists in churches all over the country, who often double in other musical careers.
The list of jobs accessible in the music industry must include teachers, songwriters, doctors, therapists and many others, not only singers and musicians, so it pays to think laterally if you want to go in this direction, because traffic on the foremost highway is usually at a stand-still. Anyway, here is a list of other jobs in the music industry and I hope that it is of some benefit to you.
There are jobs with music and record firms for staff song-writers, that is, for people who compose songs for the artists who are contracted to that label. Find a couple of artists that you respect working for the same label, compose some songs for them and apply.
If you cannot find a solitary label that suits you, you could do the same job as a freelance song-writer. This way you are not restricted and can compose for all the artists that you like.
If you are clever with words but not such a great musician, you could become a lyricist. A lyricist may or might not team up with a musician to create a song. Like Gilbert & Sullivan or Rogers & Hammerstein.
Jingle-writers are always in demand, at least decent ones are. Jingles need to be short but catchy. Writing jingles pays good money, but it will perhaps not make you famous outside the music industry.
A music publisher searches the market for freelance songs and buys up the copyright or license to publish those songs or to sell or license them to singers and musicians.
A music editor might work with a composer or song-writer to make sure that the timing and the cues for the musicians and singers are feasible.
Notesetters have to have a decent ear for music as their job is to write down in musical form what untrained musicians play to them. There are many, many modern musicians who cannot write a note of music but who can produce very popular songs. These songs have to be written down by someone and that someone is a notesetter.
A talent scout in the music industry is known by the official title of Artist & Repertoire Co-ordinator or A&R Co-ordinator for short. A step up from this position is the A&R Administrator, who co-ordinates the co-ordinators and sets and monitors their budgets - a sort of a musical accountant.
Then there are the jobs in public relations. These people normally work for record labels. They promote the artists who have signed onto a record company's label. There are quite a few levels of responsibility in this section.
An agent or an relations representative, is aperson who promotes his client and finds him or her work. They check the contracts and give business advice. They are well-|known as 'Mr. Ten Percent' although in practice it is normally double this unless you are famous.
Campus representatives promote records to students and promotional staffers promote wherever possible - radio stations, shops, musical directors.
Music teachers teach music to groups from pre-school through to college level. Their responsibilities differ with the age of the student and the point of the class.
A music director has the job of supervising policy in school or college or setting the entertainment for a cruise or a holiday camp, hotel or holiday complex.
Then there are organists in churches all over the country, who often double in other musical careers.
About the Author:
Owen Jones, the writer of this piece, writes on a variety of subjects, but is currently concerned with Bose new wave radios. If you would like to kcurrently more, please visit our website at Bose Digital Radio.
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